Rebecca Martin. Born To Be Blue

TWAIN #1 in Jazz in France. Martin Featured on Art of the Song Nationwide on Public Radio. West Coast Performance in August.

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Rebecca Martin’s latest recording TWAIN, a collaboration with longtime partner bassist Larry Grenadier and produced by Pete Rende was catapulted to the #1 spot in Jazz in France on iTunes and Amazon.  Revered music critic MICHEL CONTAT who writes for Telerama France, one of the largest publications in the country, gives the album four stars:

“TWAIN: The miraculous alchemy between a singer and bass player”
Rebecca Martin and Larry Grenadier are a couple who play together and separately, as he is also known for his key role as bassist in the famous Brad Mehldau Trio. We were introduced to them together through their enchanting disc When I Was Long Ago” (2010 Sunnyside), where the famous singer totally reinterpreted standards with a spell singing verses rarely included in the reference versions. This time, the deputy is a pianist and a drummer, and the very discreet duo assert a familiar song (“Sophisticated Lady”) with others that are all original that sound old and with a unique intimate beauty. We cannot overstate the importance of sincerity, as with Rebecca Martin, it is built entirely in art. Her voice is that of the love and confidence of maternal comfort. How the bass lines support is love itself. Such a disk is something miraculous in the avalanche of vocal jazz. – Michel Contat

Earlier this year, NATE CHINEN of the New York Times featured Martin in a full page Arts & Leisure piece titled “A Voice That Leaps Between Genres” proclaiming her work as an inspiration to a generation of jazz singers. Read more

The group TILLERY with Rebecca Martin, Gretchen Parlato and Becca Stevens Offer Workshops and Masterclasses in 2013

Tillery. Photo credit: Mark Niskanen

 

TILLERY,  a collaboration between Rebecca Martin, Gretchen Parlato and Becca Stevens is pleased to announce two unique study opportunities, a mix of masterclasses and workshops being offered this year on the West coast. They are open to all musicians and creatives no matter your instrument.  Please have a look below and write to Rebecca Martin at rebecca@larreccamusic.com with any questions.

 

SAN FRANCISCO, CA:     Sunday, September 22th, 2013  (Workshop)

TILLERY is pleased to visit the Jazzschool in San Francisco this fall!  The Jazzschool is an innovative nonprofit organization dedicated to the study and performance of jazz — America’s indigenous art form —and related styles of music from around the world. Founded in 1997, the Jazzschool is located in the historic Kress Building at Shattuck and Addison, in the heart of the Downtown Berkeley Arts District. The Jazzschool is part of a vibrant East Bay arts community that includes the Freight & Salvage, Berkeley Repertory Theatre, Aurora Theatre, East Bay Media Center and renowned Cal Performances at the University of California. Hailed as one of the nation’s most comprehensive centers for jazz studies, the Jazzschool offers instrumentalists and vocalists of all ages and skill levels a broad spectrum of performance ensembles, lectures, workshops and private instruction. Courses are designed for the professional musician, the serious student and the jazz aficionado seeking personal enrichment. A multi-faceted institution, the Jazzschool comprises several key components. Read more

Rebecca Martin and TWAIN Featured in New York Times. Martin a ‘touchstone’ to a generation of jazz singers for singing and songwriting.

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KINGSTON, N.Y. —  A New York Times Sunday Arts & Leisure piece written by Nate Chinen was published this weekend on Rebecca Martin and her upcoming release TWAIN on Sunnyside Records (available nationwide on Tuesday, March 26th).  “Ms. Martin is a vocalist with an earnest and unaffected style and a songwriter of unforced insight; Mr. Grenadier, her husband, is in the top tier of jazz bassists. Together they made Ms. Martin’s new album, “Twain,” due out on Sunnyside on Tuesday, in cloistered intimacy, recording a dozen of her songs with no initial accompaniment other than upright bass (his) and fingerpicked acoustic guitar (hers).” Read more

Singer and Songwriter Rebecca Martin Discusses the Lyrics on TWAIN, Community and Collaborations.

From "Twain". Photo credit: Pat Kepic

Singer and Songwriter Rebecca Martin Discusses the Lyrics on TWAIN, Community and Collaborations. 

Along with release of TWAIN on March 26, Martin looks ahead to performing with her trio TILLERY that features GRETCHEN PARLATO and BECCA STEVENS at the Kennedy Center for the Mary Lou Williams Jazz Festival In May

Kingston, NY – “I get all of my material for and emotional connection to the songs I write or interpret these days from hands on experiences,” says the singer and songwriter Rebecca Martin reflecting on the songs from TWAIN (Sunnyside Records). “I’ve become so active in our community that my life as an avid reader has transformed itself into one of an avid doer.” Read more

Rebecca Martin’s Music and Lyrics as Sheet Music Now Available

 

 

“The songs are all hers this time, and nearly every one carries a chilling mule-kick…Those of the more popular singer turn love into a pleasant abstraction. Ms. Martin’s have more depth, darkness and traction; they deal with emotion closer to the complicated way it actually occurs.”  – BEN RATLIFF  The New York Times

Rebecca Martin’s music and lyrics as sheet music are now available on this site.

Songs include:  ‘Don’t Mean a Thing At All’  and  ‘Some Other Place, Some Other Time’ from TWAIN  and ‘The Space in a Song to Think’, ‘Just a Boy’, ‘A Million Miles’, ‘After Midnight’, ‘Lullaby’ and ‘Make the Days Run Fast’ from  THE GROWING SEASON.

 

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TUNE IN! Rebecca Martin to co-moderate WBGO/NPR’s “Live at the Vanguard” with Chris Potter and his Quintet.

“Dear Educators and Students,

On behalf of National Public Radio, I’d like to invite you to see Chris Potter with his quintet on WEDNESDAY, FEBRUARY 6 at 9PM. He’ll be featured LIVE on our website performing from the historic Village Vanguard in New York City with pianist Ethan Iverson, bassist Larry Grenadier, drummer Eric Harland, and guitarist Adam Cruz. The week also marks the CD release of The Sirens (ECM), Potter’s new song cycle without words inspired by Homer’s The Odyssey.

 

It’s FREE. Anyone, anywhere with an internet connection can tune in. Streaming audio and HD video. No login required. Just go to this address next Wednesday, the webpage for our monthly series. It will go live shortly before 9PM:

www.npr.org/villagevanguard

The singer and songwriter Rebecca Martin has graciously offered to co-moderate the discussion in our webchat forum during the performance. I’m sure she’ll have many insightful things to say and this particular project – as songs without words – will no doubt spark some interesting reflections. Aside from going to the Vanguard in person, there’s no better way to educate yourself in the tradition. Jazz is meant to be heard live – even virtually – but if you miss it, the archived audio will be available within 24 hours.

Happy listening. Hope to see you online!

Cheers,

Lara Pellegrinelli

Consultant, NPR MusicContributor,

NPR Arts Desk

Visiting Lecturer, Princeton University, Spring 2011, 2012 Ph.D.

Ethnomusicology, Harvard University, 2005″

 

ABOUT THIS SERIES:  One of the world’s preeminent jazz venues, the Village Vanguard has regularly presented jazz’s greatest musicians since 1957. Renowned for its rich history and great acoustics, over 100 commercial albums have been recorded within the triangle-shaped basement room in New York’s Greenwich Village. Live At The Village Vanguard is a collaboration between WBGO and NPR Music presenting live broadcasts from the legendary club, both on air and streaming online. WBGO’s Josh Jackson hosts all the concerts; you can join the discussion in a chat room and watch a live video feed. After each show is over, NPR Music will host the archived recordings of all the concerts at this page.

NPR Chooses Jazz Singer and Songwriter Rebecca Martin’s Upcoming Release TWAIN as “One to Look Out For” in 2013.

Photo Credit: Pat Kepic

NPR Chooses Jazz Singer and Songwriter Rebecca Martin’s Upcoming Release TWAIN as “One to Look Out For in 2013”.   Record Release and a live recording scheduled at the Rockwood Music Hall in New York City in March. 

In anticipation of the jazz singer and songwriter Rebecca Martin’s upcoming release on Sunnyside Records, NPR’s Patrick Jarenwattananon includes TWAIN as one of 15 buzzed about jazz/ish albums to look out for in 2013.

“The vocalist Rebecca Martin’s last album was a collection of standards, recorded only with a saxophonist (Bill McHenry) and a bass player, Larry Grenadier. Think of TWAIN as a sequel of sorts: It’s a program of mostly originals, backed only by Grenadier, who is also her husband. As a singer, she has a sense of nuance that fits a spare setting well; as a songwriter, she’s already put out several albums of her own tunes.”

Rebecca Martin will be accompanied by bassist Larry Grenadier at New York City’s Rockwood Music Hall room 2 on Thursday, March 28th, two days after the records release.  They will perform one set of original compositions and standards. The performance will also be recorded by Pete Rende in preparation for a live recording.  Tickets are $15.00.  The Rockwood Music Hall (stage 2)  is located at 196 Allen Street, NYC 10002. Tickets can be purchased online at the ROCKWOOD MUSIC HALL.  For more information, call 212/477-4155.

A highly accomplished husband and wife team, Grenadier and Martin earn continual accolades for their live performances. Renowned critic Alain Burnet of Montreal’s La Presse wrote “In the circles of Jazz in New York…[Martin’s] approval rating has risen steadily over recent years, and for good reason. In Montreal, she still remains a secret….I will not keep it to myself: count me in!”

WATCH Rebecca Martin and Larry Grenadier perform “Born to be Blue” written by Mel Torme and Robert Wells live at Atlas Performing Arts Center in Washington Center in Washington, DC. Filmed by Christian Amonson.

For more information about Rebecca Martin, contact Patrice Fehlen at September Gurl, PR at 718/768-3859 or email patrice@septembergurl.com

NPR: 15 Jazz Albums To Look Out For in 2013

 

“Rebecca Martin, Twain: The vocalist Rebecca Martin‘s last album was a collection of standards, recorded only with a saxophonist (Bill McHenry) and a bass player, Larry Grenadier. Think of Twain as a sequel of sorts: It’s a program of mostly originals, backed only by Grenadier, who is also her husband. As a singer, she has a sense of nuance that fits a spare setting well; as a songwriter, she’s already put out several albums of her own tunes. Out March 26.”

SEE the list on NPR. By Patrick Jarenwattananon.

Sunnyside Records will Release Rebecca Martin’s Sixth Solo Album TWAIN on March 26th, 2013

 

Singer/Songwriter and Jazz vocalist Rebecca Martin’s new album TWAIN features a dozen new original compositions and one classic interpretation, all performed in understated acoustic arrangements based around Martin’s indelible voice and supple guitar work, and the subtly inventive support of her husband and longtime collaborator, acclaimed bassist Larry Grenadier.

Martin reflects “My records over the years have become more quiet and introspective, which probably has to do with the need and appreciation for personal space…it makes sense that my reaction to a world that feels speedy, harsh and loud is to offer music that provokes slowness, emotion, and quiet.”

On such melodically arresting, emotionally vivid new tunes as “To Up and Go,” “Don’t Mean A Thing At All,” “Beyond The Hillside,” and “Some Other Place, Some Other Time,” Martin sings with a quietly commanding intensity that lends immediacy to her lyrical insights.

Meanwhile, her distinctive reading of the Duke Ellington classic “Sophisticated Lady” once again demonstrates the uncanny interpretive skills that she previously revealed on a pair of much-celebrated standards albums.

Writing in the New York Times, critic Nate Chinen shrewdly observed that Martin “exudes the plainest sort of poise, almost radical in its utter lack of flash,” and that though she is “unerringly faithful to the melodies of the songs, both standards and originals,” she makes them seem “less like songs than like articulations of her state of mind.” Read more