Rebecca Martin will be performing this fall as a duo with Bassist Larry Grenadier.
Thursday, August 28th
Soundwaves Concert Series
Thursday, October 30th
Palm Jazz Festival
Saturday, November 1st
Sunday, November 2nd
Enjoy Jazz Festival
Watch Rebecca Martin’s collaborative group TILLERY (Rebecca Martin, Gretchen Parlato and Becca Stevens) perform live at Blue Whale in LA, CA. The three perform “Tillery” written by Becca Stevens with poetry by Jane Tyson Clement and Becca Stevens.
TILLERY will head into the studio in January, 2014. Recorded by Pete Rende.
TWAIN is selected as one of the 10 best Jazz albums of 2013 by the editors of iTunes!
Rebecca Martin’s latest recording TWAIN, a collaboration with longtime partner bassist Larry Grenadier and produced by Pete Rende was catapulted to the #1 spot in Jazz in France on iTunes and Amazon. Revered music critic MICHEL CONTAT who writes for Telerama France, one of the largest publications in the country, gives the album four stars:
“TWAIN: The miraculous alchemy between a singer and bass player”
Rebecca Martin and Larry Grenadier are a couple who play together and separately, as he is also known for his key role as bassist in the famous Brad Mehldau Trio. We were introduced to them together through their enchanting disc When I Was Long Ago” (2010 Sunnyside), where the famous singer totally reinterpreted standards with a spell singing verses rarely included in the reference versions. This time, the deputy is a pianist and a drummer, and the very discreet duo assert a familiar song (“Sophisticated Lady”) with others that are all original that sound old and with a unique intimate beauty. We cannot overstate the importance of sincerity, as with Rebecca Martin, it is built entirely in art. Her voice is that of the love and confidence of maternal comfort. How the bass lines support is love itself. Such a disk is something miraculous in the avalanche of vocal jazz. – Michel Contat
Earlier this year, NATE CHINEN of the New York Times featured Martin in a full page Arts & Leisure piece titled “A Voice That Leaps Between Genres” proclaiming her work as an inspiration to a generation of jazz singers.
“Ms. Martin is a vocalist with an earnest and unaffected style and a songwriter of unforced insight…the new album also highlights a shift toward original material and folky ambience by a generation of singers, some of whom see Ms. Martin as a touchstone.” – Nate Chinen
Her sensitivity through singing, songs and a long standing commitment to community organizing landed her a spot as featured artist on Art of the Song, the public radio program heard nationwide over 150 stations. This hour long program celebrates the creativity of musicians who they believe are a ‘profound agent for community and for change.’ Listen here.
Fans on the West Coast in August will have the opportunity to hear Martin and Grenadier who will both be teaching in SAN FRANCISCO, CA at the Stanford Jazz Workshop and performing in LOS ANGELES, CA at THE BLUE WHALE located at 123 Astronaut E S Onizuka Street Suite 301 LA, CA on Saturday, August 10th. Doors at 8:00pm with a showtime at 9:00pm. Tickets are $15. Visit www.bluewhalemusic.com for more information.
TILLERY, a collaboration between Rebecca Martin, Gretchen Parlato and Becca Stevens is pleased to announce two unique study opportunities, a mix of masterclasses and workshops being offered this year on the West coast. They are open to all musicians and creatives no matter your instrument. Please have a look below and write to Rebecca Martin at firstname.lastname@example.org with any questions.
SAN FRANCISCO, CA: Sunday, September 22th, 2013 (Workshop)
TILLERY is pleased to visit the Jazzschool in San Francisco this fall! The Jazzschool is an innovative nonprofit organization dedicated to the study and performance of jazz — America’s indigenous art form —and related styles of music from around the world. Founded in 1997, the Jazzschool is located in the historic Kress Building at Shattuck and Addison, in the heart of the Downtown Berkeley Arts District. The Jazzschool is part of a vibrant East Bay arts community that includes the Freight & Salvage, Berkeley Repertory Theatre, Aurora Theatre, East Bay Media Center and renowned Cal Performances at the University of California. Hailed as one of the nation’s most comprehensive centers for jazz studies, the Jazzschool offers instrumentalists and vocalists of all ages and skill levels a broad spectrum of performance ensembles, lectures, workshops and private instruction. Courses are designed for the professional musician, the serious student and the jazz aficionado seeking personal enrichment. A multi-faceted institution, the Jazzschool comprises several key components.
The Jazzschool hosts a full day Workshop with Rebecca Martin, Gretchen Parlato and Becca Stevens of TILLERY
2087 Addison Street
Berkeley, CA. 94704
Sunday, September 22nd, 2013
10:00am – 4:30pm
$150 per participant
For more information, contact:
email@example.com or call 510/845-5373
LOS ANGELES, CA: Tuesday, September 24th, 2013 (Masterclass)
We are really excited to partner up with Gretchen’s sister Heather Parlato and the space that she helps to program called ‘Betalevel’. This hip ‘rough and tumble’ venue is described as ‘part studio, part club, part stage, and part screen; Betalevel is located in a basement in Chinatown, Los Angeles, and plays host to various media events such as screenings, performances, classes, lectures, debates, dances, readings, and tournaments. Its members are artists, programmers, writers, musicians, designers, agit-propers, filmmakers, and reverse-engineers.’
It’s best to locate the space by clicking on the link to ‘directions’ below – as the door is somewhat hidden behind Hill Street. Don’t worry. We’ll give you a number to call after you register just in case (“Don’t worry, Jake. It’s Chinatown.” I’ve always wanted to use that somewhere) – so join us for an evening masterclass session!
“The Methods, Process and Practice in Singing and Songwriting“ A masterclass with Rebecca Martin, Gretchen Parlato and Becca Stevens of TILLERY – “The Methods, process and practice in Singing and Songwriting” will take participants on a journey through the musical paths and varied songwriting methods of Tillery’s Rebecca Martin, Gretchen Parlato and Becca Stevens. This revealing workshop will enlighten and inspire through a range of topics that include early musical experiences, writers block, breakthroughs, connecting your creative work to your daily life and finding your true voice. During the session, participants will be led through several unique songwriting processes with hands on writing and composing exercises done individually and in collective groups. Guaranteed to get the creative juices flowing!
“The Methods, Process and Practice in Singing and Songwriting” Workshop with Rebecca Martin, Gretchen Parlato and Becca Stevens of TILLERY
Tuesday, September 24th, 2013
6:00pm – 9:00pm
$90 per participant
The workshop is open to all participants 16 or older. All levels welcome.
Be on the look out for an email from us shortly after you register.
KINGSTON, N.Y. — A New York Times Sunday Arts & Leisure piece written by Nate Chinen was published this weekend on Rebecca Martin and her upcoming release TWAIN on Sunnyside Records (available nationwide on Tuesday, March 26th). “Ms. Martin is a vocalist with an earnest and unaffected style and a songwriter of unforced insight; Mr. Grenadier, her husband, is in the top tier of jazz bassists. Together they made Ms. Martin’s new album, “Twain,” due out on Sunnyside on Tuesday, in cloistered intimacy, recording a dozen of her songs with no initial accompaniment other than upright bass (his) and fingerpicked acoustic guitar (hers).”
“… the new album also highlights a shift toward original material and folky ambiance by a generation of jazz singers, some of whom see Ms. Martin as a touchstone. Among them are Gretchen Parlato and Becca Stevens, with whom Ms. Martin formed a collective called Tillery two years ago, after they struck an instant chemistry late one evening around her dinner table. “She’s been a great guide and mentor and sister in my songwriting,” said Ms. Parlato, who won the Thelonious Monk International Jazz Vocals Competition in 2004 but hadn’t written her own songs before befriending Ms. Martin.”
“…And, perhaps most of all, Ms. Martin’s songs, which have long dwelled in implication, creating a vivid emotional climate without divulging many details. One reason younger songwriters admire Ms. Martin may be that she writes from a place of genuine interiority; another is that her melodies and her lyrics feel so naturally enmeshed.”